Documenting the Danwei

“ A whole history remains to be written of space – which would at the same time be the history of powers – from the great strategies of geo-politics to the tactics of the habitat… Anchorage in a space is an economico-political form that needs to be studied in detail.”

Michel Foucault The Eye of Power (1977)

IUD image. Guangzhou, China: 2014

As part of our long term project exploring the surviving remains of  ‘socialist sites’ IUD have been documenting the residential areas of the Chinese danwei in Guangzhou’s Haizhu district.

West of the Tracks (Tie Xi Qu)

Wang Bing’s immersive nine hour documentary epic explores the changing world of China between 1999 to 2001. Set in the North-East of the country in Shenyang, his observational style records the physical and social textures of the regions heavy industry in its final stages before closure through bankruptcy.

Divided into three sections (Rust, Remnants and Rails) the documentary uses a ‘direct cinema’ approach to faithfully witness the people caught up in the massive changes to their work and homes as a consequence of reform era changes to the former planned market economy. See Jie Li’s excellent article for a further analysis of the film’s context and cinematic style West of the Tracks – Salvaging the Rubble of Utopia.

West of the Tracks (2002)

“Finally Got The News” – Radical Documentary

How do workers coordinate a struggle when the bosses and Union are the enemy?

Inspirational radical documentary made in the late 1960’s in association with the League of Revolutionary Black Workers. The film charts the racism and exploitation of black auto workers in Detroit and their attempt to collectivize and gain a voice in their workplace despite the violence and corruption used to suppress them. The League didn’t just see the need for black workers to organise but emphasized the potential power of all the working class.

A Walk in Berlin: Bruno Taut’s Falkenberg Housing Estate

IUD recently visited the Treptow-Koepenick borough of Berlin to walk around the Falkenberg Gartenstadt (Falkenberg Garden City) with new friend and historian of the everyday, Andreas. Falkenberg is comprised of three streets, Akazienhof, Am Falkenberg, and Gartenstadtweg, with 128 homes developed by the modernist architect Bruno Taut between 1913 and 1915.

Berlin, Germany: 2015. IUD image.

Architectures of Displacement – Salford, UK & Guangzhou, China – Temporary Research Space

IUD archive image. Close up from a council neighbourhood being cleared for private homes. Salford, UK: 2012.

Currently IUD is exhibiting in The Fire and the Rose curated by Tongyu Zhou as part of the Asia Triennial 14. The work is located in the Vertical Gallery, 3rd Floor, Benzie Building , Manchester School of Art at Manchester Metropolitan University. We have created a Temporary Research Space, an invitation to spend time exploring selected materials from our archive, derived from fieldwork and other research in Salford, UK and Guangzhou, China. Also included are a small sample of related critical and fieldwork texts. The show is on until November 28th.

Spatial justice and Urban De(re)generation

“Just as none of us are beyond geography, none of us is completely free from the struggle over geography. That struggle is complex and interesting because it is not only about soldiers and cannons but also about ideas, about forms, about images and imaginings.” Edward Said, Culture & Imperialism

IUD Archive Image. Uneven Development research project. Public space next to a residential neighbourhood being cleared and gentrified with luxury high rise flats. Guangzhou, China: 2013.

Peach Tree Court Demolition

A Walk Around the Demolition Site of Peach Tree Court, Saturday 27th September 2014.

Peach Tree Court Tower Block – 2014 Demolition – IUD – Salford Archive

We cross the main road and enter the waste ground through the old school gates, the ones parents used to visit the head teacher in the 1990’s before the school was demolished. We had already smelled smoke from the other side of the road, before we saw the treacly patches of branded earth, some of them still leaking a pencil line of smoke. The blond grass of the waste ground is too damp to burn for long and the young arsonists (we caught sight of them briefly) have failed in their attempts to make the fires take hold.

Everyday Archaeology – IUD Fieldwork

Salford Fieldwork Image (2014)

The Poetry of the Street – The Film and Flanerie of Jem Cohen

When I was in my twenties two of my great loves were documentary photography and experimental film. Seeing Jem Cohen’s work Lost Book Found (1996) made me realise how the two could come together in a heady mix. Cohen wanders like a street photographer gathering Super-8 and 16mm film material through his direct observation of the urban world around him. Lost Book Found is his modern day homage to Benjamin’s Arcades Project relocated to New York. It attempts to find another layer of meaning to the city through its traces, fragments and neglected spaces. The narrative alternates between the city’s hard streets and a hidden reality beneath the kaleidoscopic distractions and phantasmagoria of its capitalist space.

Paris – Invisible City – Bruno Latour & Emilie Hermant

Latour & Hermant’s on-line book Paris: Invisible City (1998) presents a challenge to all urban photographers and the observational methods central to their work. The project questions how much we really can understand about the modern city by simply looking. Starting off on the rooftop of the famous La Samaritaine department store it begins by examining the panorama of Paris.

Bill Picquigny

The book explores the labyrinth of overlapping networks that underpin the functioning of the city. Using Latour’s Actor-Network-Theory as a methodology, it highlights the ‘invisible’ and unnoticed connectivities that compose the city. It presents us with a layered portrait of place “bypassed by the normative representational mode” (Networks of Design). Latour uses the term ‘oligopticon’ to define these hidden networks that ultimately serve to make Paris the functioning city that it is. As a social researcher he believes that they are a means to appreciate the intertwined totality of municipal space. Unlike the absolutist all seeing gaze of Foucault’s panopticon, with the oligopticon “extremely narrow views of the (connected) whole are made possible–as long as connections hold” (p.181, Reassembling the Social). By drawing our attention to the complexity of these ‘co-existences’, the work ultimately demonstrates the sheer impossibility of understanding Paris or any urban space through a single image or glance.