Architectures of Displacement – Guangzhou, China. Tate Liverpool.

In April IUD created a Temporary Research Space to showcase at the Tate Exchange, Tate Liverpool. The work examined the current transformation of Chinese housing, focusing on domestic sites in Guangzhou. Drawing on fieldwork, the research space created an interactive resource of videos, texts and photographs to handle. The work is part of IUD’s ongoing witnessing of the dispossession and displacement produced by contemporary strategies of capital accumulation centred on housing.

The showcase also featured the screening of two films: A Walk in Xian Village (2015) and Industrial Road (2015).

IUD Jane in Xian Village (2015). Photo by John van Aitken.

Working with the LOOK 17 Photography Festival, IUD also organised a number of public talks at the Tate Liverpool and the Museum of Liverpool to explore the consequential geographies produced by the unbuilding and reimagining of these domestic landscapes at home and in China.

Below are a selection of recordings from the talks given:

Promising Home – The People’s History Museum, Manchester

From October 29th to January 13th The People’s History Museum, Manchester will host an IUD ‘temporary research space’ in its Community Gallery. The research space will make available a range of photographs and materials we’ve produced while documenting the changing state of council housing in Pendleton, Salford.

IUD Archive Image (2014)

Based in a tower block in Pendleton, we have been recording and researching the estate since 2004. The Community Gallery exhibit will highlight a wide range of images and research materials from this extended period of research that critically examines the estates recent transformation.

IUD Archive Image (2013) – Walk with Dr Simon Faulkner & David Reeb

IUD visit Xiancun urban village in Guangzhou, April 2015

Architectures of Displacement – Salford, UK & Guangzhou, China – Temporary Research Space

IUD archive image. Close up from a council neighbourhood being cleared for private homes. Salford, UK: 2012.

Currently IUD is exhibiting in The Fire and the Rose curated by Tongyu Zhou as part of the Asia Triennial 14. The work is located in the Vertical Gallery, 3rd Floor, Benzie Building , Manchester School of Art at Manchester Metropolitan University. We have created a Temporary Research Space, an invitation to spend time exploring selected materials from our archive, derived from fieldwork and other research in Salford, UK and Guangzhou, China. Also included are a small sample of related critical and fieldwork texts. The show is on until November 28th.

Spatial justice and Urban De(re)generation

“Just as none of us are beyond geography, none of us is completely free from the struggle over geography. That struggle is complex and interesting because it is not only about soldiers and cannons but also about ideas, about forms, about images and imaginings.” Edward Said, Culture & Imperialism

IUD Archive Image. Uneven Development research project. Public space next to a residential neighbourhood being cleared and gentrified with luxury high rise flats. Guangzhou, China: 2013.

Peach Tree Court Demolition

A Walk Around the Demolition Site of Peach Tree Court, Saturday 27th September 2014.

Peach Tree Court Tower Block – 2014 Demolition – IUD – Salford Archive

We cross the main road and enter the waste ground through the old school gates, the ones parents used to visit the head teacher in the 1990’s before the school was demolished. We had already smelled smoke from the other side of the road, before we saw the treacly patches of branded earth, some of them still leaking a pencil line of smoke. The blond grass of the waste ground is too damp to burn for long and the young arsonists (we caught sight of them briefly) have failed in their attempts to make the fires take hold.

Everyday Archaeology – IUD Fieldwork

Salford Fieldwork Image (2014)

The Poetry of the Street – The Film and Flanerie of Jem Cohen

When I was in my twenties two of my great loves were documentary photography and experimental film. Seeing Jem Cohen’s work Lost Book Found (1996) made me realise how the two could come together in a heady mix. Cohen wanders like a street photographer gathering Super-8 and 16mm film material through his direct observation of the urban world around him. Lost Book Found is his modern day homage to Benjamin’s Arcades Project relocated to New York. It attempts to find another layer of meaning to the city through its traces, fragments and neglected spaces. The narrative alternates between the city’s hard streets and a hidden reality beneath the kaleidoscopic distractions and phantasmagoria of its capitalist space.

Unbuilding….

We have been thinking a lot about unbuilding as we observe the creative destruction of tower blocks in Salford (see the above photo by IUD on the ground). These demolitions are part of the first phase of a PFI driven gentrification project. In this process many social housing tenants are evicted and their homes replaced with houses and flats for sale on the open market. The demolition industry along with property developers, builders, finance companies and so on benefit from regeneration, which is not really about the provision of better homes but the redistibution of assets, from the poor to the rich. Demolition also functions at a symbolic level, as it rids us of unwanted architectural forms, in this case high rise social housing. The significance of this is not in some failure of the modernist architectural project but the destruction of viable homes and the displacement of the poor. Regeneration in this instance calls for the replacement of unwanted bodies with the healthy bodies of the rich who have money to spend and don’t rely so heavily on council services. In her book Where the Other Half Lives, Sarah Glynn says ” ‘regeneration’ sounds as though it could be a good thing, but it is being used as a Trojan horse for state-sponsored ‘accumulation by dispossession’ on a massive scale”(page 72).

Detonation Deutschland Diptych by Piero Steinle

 

This is an ongoing selection of resources on unbuilding, rubble, demolition etc.

Julian Rosefeldt and Piero Steinle made a video installation from archival sequences of demolitions called Detonation Deutschland. See the diptych above and more on Piero’s Steinle’s website.

 

Boulevard Henri IV, Place de la Bastille, demolished section of Paris photographed by Charles Marville 1876.

Photographs made by Charles Marville of the demolition of large sections of Paris by Baron Haussmann. Marville’s work is digitized in the collection of the Musee Carnavalet (search in French only).

Artist Hilary Powell’s work is an exploration of and collaboration with demolition sites, materials and stories    http://demolitionsite.net

Rubble: unearthing the history of demolition, by Jeff Byles and published by Three Rivers Press is a well researched popular history of demolition.

This is an academic paper, which explores the performative properties of asbestos in the demolition process: Inextinguishable fibres: demolition and the vital materialisms of asbestos by Nicky Gregson, Helen Watkins & Melania Calestani, published in Environment & Planning Journal 2010, volume 42.

therubbleclub.com: a club for architects whose creations have been intentionally destroyed during their life time.

10 minute promotional video of back to back demolitions by Controlled Demolition Inc

more to follow….

 

 

 

Spaces of Capital 1 – Allan Sekula – The Forgotten Space (2010)

“The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete” from www.theforgottenspace.net website.

Sekula’s earlier photographic work has dealt with issues of labour and with economic issues especially around maritime histories. The film The Forgotten Space builds on work from his previous project Fish Story.

For an overview of his work see Socialism and the Sea article in Radical Philosophy. See also the interview of Sekula (Ship of Fools) by Grant Watson.