Currently IUD is exhibiting in The Fire and the Rose curated by Tongyu Zhou as part of the Asia Triennial 14. The work is located in the Vertical Gallery, 3rd Floor, Benzie Building , Manchester School of Art at Manchester Metropolitan University. We have created a Temporary Research Space, an invitation to spend time exploring selected materials from our archive, derived from fieldwork and other research in Salford, UK and Guangzhou, China. Also included are a small sample of related critical and fieldwork texts. The show is on until November 28th.
In her FOTO8 interview (11/08/2009) French photographer Ristelhueber comments on how her practice has moved in the direction of ‘scars’ and ‘traces’, ranging from freshly operated bodies inspired by the Yugoslavian civil war to aerial shots of post conflict Kuwait. Bringing her sensibility to a range of traumatic subjects she works conceptually seeing them all with a type of conceptual ambiguity and evenness despite their political context.
“I am a conceptual person, which means that first I have an idea of something I want to do… something that becomes imperative. Afterwards I work so intently that I don’t think any more about the context. About whether I am in a country that is supposed to be Palestine, say, but which perhaps is not going to be Palestine. It’s difficult for others to understand; it’s not that I don’t care for the people around me. But once I’m working, I am working on my concept” (FOTO8 interview).
We have been thinking a lot about unbuilding as we observe the creative destruction of tower blocks in Salford (see the above photo by IUD on the ground). These demolitions are part of the first phase of a PFI driven gentrification project. In this process many social housing tenants are evicted and their homes replaced with houses and flats for sale on the open market. The demolition industry along with property developers, builders, finance companies and so on benefit from regeneration, which is not really about the provision of better homes but the redistibution of assets, from the poor to the rich. Demolition also functions at a symbolic level, as it rids us of unwanted architectural forms, in this case high rise social housing. The significance of this is not in some failure of the modernist architectural project but the destruction of viable homes and the displacement of the poor. Regeneration in this instance calls for the replacement of unwanted bodies with the healthy bodies of the rich who have money to spend and don’t rely so heavily on council services. In her book Where the Other Half Lives, Sarah Glynn says ” ‘regeneration’ sounds as though it could be a good thing, but it is being used as a Trojan horse for state-sponsored ‘accumulation by dispossession’ on a massive scale”(page 72).
This is an ongoing selection of resources on unbuilding, rubble, demolition etc.
Julian Rosefeldt and Piero Steinle made a video installation from archival sequences of demolitions called Detonation Deutschland. See the diptych above and more on Piero’s Steinle’s website.
Photographs made by Charles Marville of the demolition of large sections of Paris by Baron Haussmann. Marville’s work is digitized in the collection of the Musee Carnavalet (search in French only).
Artist Hilary Powell’s work is an exploration of and collaboration with demolition sites, materials and stories http://demolitionsite.net
Rubble: unearthing the history of demolition, by Jeff Byles and published by Three Rivers Press is a well researched popular history of demolition.
This is an academic paper, which explores the performative properties of asbestos in the demolition process: Inextinguishable fibres: demolition and the vital materialisms of asbestos by Nicky Gregson, Helen Watkins & Melania Calestani, published in Environment & Planning Journal 2010, volume 42.
therubbleclub.com: a club for architects whose creations have been intentionally destroyed during their life time.
10 minute promotional video of back to back demolitions by Controlled Demolition Inc
more to follow….
This is an image from Randa Mirza’s project entitled Beirutopia. A series of photographs of billboards showing new developments in Beirut, that are distressed, damaged or otherwise interrupted by the life taking place around them.
See more of Randa Mirza’s work here: http://www.randamirza.com/
Early in September IUD are presenting a paper at Neoliberalism and Everyday Life, the annual conference organised by Nicola Clewer for CAPPE, the University of Brighton. Keynote speaker for 2014 is Imogen Tyler, author of Revolting Subjects: Social Abjection & Resistance in Neoliberal Britain. Our paper is entitled All materials of value have been removed: everyday cleansing in the neoliberal housing environment.